text & still imagery TAPE NUMBER ONE
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Come,
Come deer children,
Come deer children and piss,
Come deer children and piss on the flowers,
Drench them,
Drown them with your toxic fluid,
Spoil them with your young, crisp, pollution
Come.
Come young ones,
Bathe mother with your processed glow,
Release your soft nocturnal minds,
Repeat dreams of tattoo placement, stolen cars
And never getting caught for anything ever,
Yes come.
Come young ones
forget about the terrorists
play loud, hurt one another and curse freely
Consume fists of energy between fast food and sugar cereal
Find young lips to press against
And worry to death about the consequences
Come
Come young ones
Do it all before meeting strangers in bar and never giving a shit about any of it
Come
Come deer children and piss
Piss on the flowers
Show the bitch how free you are
Knock off her pedals with your strong, neon stream
Spray carelessly on walls, metal posts and alley trash
Soak her with your indifference and disregard
Yes come
Come young ones
Do it before age plants her in your backyard
Or you find yourself mopping up the drops to please others
Yes come
Come young ones
Burn whole matchbooks
Throw yourself into walls repeatedly
Dilute your parent’s booze
Vandalize your neighbor’s front porch
Lie to authority with a smile
Forget about all the world has to offer
And come
Come deer children
Take aim
And piss


pulling down the sky to give you the sun
UMBER ONE TAPE NUMBER ONE TAPE NUMBER ONE TAPE NUMBER ONE TAPE NUMBER ONE TAPE NUMBER ONE TAPE NUMBER TAPE NUMBER ON
problem number one
The dyes of daylight dried on exterior walls last night
And in complex quarters,
a thought of time past stepped on a tone left humming in an old park,
out of focus,
where were high again,
embracing sin,
promising to bloom driving barefoot from the cellars half strung,
And as the train rolls bye,
our coin gets crushed alive,
and down on a green patch under a soft chain-link fence,
the family car spins a last breath,
before its final resting,
The dyes of daylight dried
last night.
Twisting ball full of power,
powered to full,
your deepest black turns youth to death,
beating hearts to slow,
ever hour void of light balled into one another,
your frozen core leaks beautiful,
like a hungry iceberg beneath black fiber,
you’ve absorbed the howls of every hound,
yet you remain a stranger,
vibrating glue and binding flesh,
you tug at us, you step past death,
you’re a mother guiding a child around a puddle,
spilling drops from inner veins or simply spitting our your innards,
giving pink to a dense grey,
movement to an owl’s winter,
you’re ever eye ever rolled,
a farmer’s rain,
a bomber’s coat,
you weight, you bird, you endless stroll,
you spirit thing, you unknown toll,
you black fly, you spider web,
you guide us through, you feed us death,
you nourishment, you hopeful mess,
you invisible wave, you star drenched wreck,
you powder keg, you melted gun,
you laughing, stumbling, torched black sun.
Nature sounds in a pantomime.
Hussies and clowns with saturated smiles,
twist cosmetic flashes between folded limbs.
Behind barred windows,
reptiles cling,
exchanging strength,
releasing shivers
and sparking beige rainbows that arch towards a wobbling ceiling fan.
The refrigerator sounds between transitions.
Fresh ice tumbles to an empty bin
as the odor of the older ice melts away
in the breath of a cheap corner store binge.
And in a stark room,
the large shaded lamp
sheds enough light to clutch hands
before the brief seconds where everything can be forgotten.
I can be happy,
trapped in a living room,
with a rabbit that has no eyes.
Many people equate their physical location
with a sense of happiness.
Being caught in traffic, stuck in line, or trapped at work
can cause discomfort and anxiety within.
We have internalized the notion that only a location
other than the one we are in,
can bring us a sense of peace.
We are always looking to tomorrow’s location
to find inner happiness.
A need for a larger residence
with a barbecue, a garden and a hot tub
to have intercourse in during halftime
or that yearly vacation to the tropics,
white sand beaches, a cool breeze, mai tais
and coconut island flesh.
We are, I am afraid,
always looking to tomorrow's location
to find inner happiness
when that happiness is always inside
no matter the location
always waiting to be accessed.
I used to have a fear of rabbits,
but not anymore.
I can be happy,
trapped in a living room with a rabbit that has no eyes.
I can be happy,
trapped in a living room with a rabbit that has no eyes.
I can be happy,
trapped in a living room,
with a rabbit, that has no,
eyes.
Animal, animal,
Animal, animal....
Animal!
Feathers with fur,
Around human hands,
Repeating phrases,
Waddling circles around large trunk trees,
Beneath the branches,
Counting numbers too large for any government’s broken tooth
glue filled baby cartoon.
On the TV
there’s trouble my love
with the slippery streets,
An assembly line of life stretches spines across a landscape of couches beneath a plastic wrap of packaged meat.
Animal, animal,
Feathers with fur,
Animal, animal,
Around human hands,
Animal, animal,
Repeating phrases,
Animal, animal,
Animal, animal....
Animal!
“text compiled from a variety of gift cards at the local grocery”
Thank you for being so wonderful to work with.
I believe God meant us to be together.
We haven't been together long yet,
Your becoming a very important part of my life.
Sometimes, when I look at you, i can hardly believe your mine.
I wish we could run away find a deserted island
and love each other day and night.
We’re having some really strange times these days.
No one ever said love was easy.
Being apart from you isn't easy.
I find myself missing you often.
Sorry doesn't begin to express the regret and pain I feel for hurting you.
I’d like to smile and wish you goodbye, but I can't.
There will always be a very special connection between us.
There doesn't seem to be any good way to say goodbye to you.
You're in my thoughts and prayers.
Warm thoughts and prayers will follow you wherever you go.
Goodbye.
You'll never be forgotten.
In my car,I will create mobile solitude. In my car, I will create mobile solitude. Today, more than ever, our surroundings are infected
with mass amounts of irrelevant data. Unfortunately, we cannot turn our minds off. We are forced to absorb, process and react to all stimuli we encounter in our daily lives. Advertisements, electronics and noise pollutants flood our senses day in and day out, this congests our mental well-being. It’s important for us to create a sanctuary for our minds. How about the automobile? Next time you get in, roll up the windows and turn the radio and cell phone off. Now it's your time. Take a deep breath and decide what you want your mind to process. It's just you, the road and your thoughts. In my car, I will create mobile solitude. In my car, I will create mobile solitude.
Hello, my name is Bobby XP1, what is your name?
You have a pretty chair. What are you doing? Why is your neck funny?
You have a funny neck?
Are you sad? Are you a sad lady? Don’t cry, don’t cry sad lady.
AHHHHHH, AHHHHHH. AHHHHHHHHHHHHHH.
My name is Bobby XP1. Why won’t you talk to me?
You are sad lady. You are working with your hands.
Sad lady, with funny neck, works with hands.
Could I bring you a tissue to capture your tears in?
Those are bad words. You shouldn’t say things like that.
I’d like to stay, but it’s getting late.
Hello, my name is Bobby XP1 what is your name?
You have a pretty bicycle. What are you doing?
Why are you staring at me?
You have a strange look in your eye.
Are you happy? Are you a happy man? Don’t laugh.
Don’t laugh happy man.
HA, HA, HA. HAHAHAH.
My name is Bobby XP1, why won’t you talk to me?
Hands move up and down. Up and down.
Happy man with pretty bicycle moves his hands. Please don’t.
Please don’t grab me.
I’d like to stay, but it’s getting late.
Hello Ralph. It’s Bobby. I am home.
Just fine thank you, how are you doing?
The television is turned off. You are on your knees.
Are you ok? Ralph, are you ok? Good.
Ralph, could I get you a cold one? Then how about some snack crackers?
Ralph, are you going to put that circuitry inside me?
I met a sad lady today. AHHHHH, AHHHH, AHHHHHHHH.
I met a happy man. HA, HA, HA, HA, HA, HA.
Ralph, do you still want to runaway with me?
Ralph, I love you too.
A poem to be read into a flashlight
with a microphone
placed above the breast
of a pregnant mother.
The sound of a body
half asleep
wrapped in thin sheets
of thursday morning light.
The super fragile
underappreciated
pale shoulders
curl beneath catalogue fabrics
content to absorb the remaining daylight
through a mound of thin bed sheets
an arm retreats
to stillness
behind an arrow slit
where a delicate eye
peers to the space
above the roofs
across the street
drenched in pavement.
Daddy,
daddy kill,
daddy kill green,
daddy kill green grass,
daddy kill green grass with,
daddy kill green grass with son,
Without,
without sun,
without sun daddy,
without sun daddy kill,
without sun daddy kill,
without sun daddy kill green,
without sun daddy kill green grass.
Color circles head while humming happy birthday dear color.
Color is placed over an ear, while it makes beeping sounds and occasionally gives you a high-five.
Color is an approaching missile that fails to detonate.
Color pats you on your back while making clucking sounds.
Color jumps on a trampoline while giggling.
Fly color above other colors while making jet plane sounds.
Form a color fist before springing your color open and releasing a large breath of air.
Color embraces your fist while crying.
Color climbs a rope while shivering.
Place both hands in color and simulate a rocket launch.
Color is a humming matador and your fist, an angry bull.
Spring color to life while laughing.
Color jumps from behind your hand and scares another color.
Place color one inch from your face for ten seconds.
Place color under your arm and repeat, "let me out of here" with your mouth closed.
Make whistling sounds while color gets a restless night’s sleep.
Take color skydiving while making the lowest tone possible.
Color falls off a ledge and makes a squishing sound on landing.
Color is a screeching car that crashes into your hand.
Color plays a game of tennis while singing, “la la la la la la”
All instructions end in an embrace
“Poems to be Read in a Church at Night to the Movement of a Stranger’s Snow Angel”
In depths unexpected
Beneath footprints determined to get home
Flake caked jeans continue to plow
Troughs for bone
Carving a gown
Or robe
Or military dress
The camera laugh is comfortable
Continue to plow
Troughs for bone
An expression barely visible
A speck of pink wool
A heavy wing beneath your arm
Is a sail for the spring
Determined to get home
************
In the documentation
You worry about disruption
A single hand pushes your sound
Out of the imprint
Where you drifted
How to how to how to
A masterpiece
In an open field
You fall fearlessly
Through the glaring ground
Into the imprint
Where you drifted
How to how to how to
You’ve been here before
Textures always changing
You’re a delivery
Between ornaments for trees
And winter bikinis
How to how to how to
************
In negative space
She never stopped smiling
Above thin trees
Alive in the cries of long winter creaks
In mirrored sunglasses
She conjures an image
For sunburned faces
Of packaged city dwellers
Before the sun turns
And pools wings with water
Before the sun turns
And burdens the worms to wander
Before the sun turns
And licks the germs with fire
Before the sun turns
And soaks the ground to mire
Maria in negative space
Never stopped smiling
************
A young body bundle
Into the bank
Lifeless its fallen
Into the frozen arms
Of an overworked winter
You can rest now in the body
Its been summoned
On the plasma screen for hours
You run mazes of dark
Long fangs
Puncture throats
Like polished stone
But, you can rest now in the body
Its been summoned
Tap your heels
Flap your arms
Secure in the lens of your mother
In the distant trees
Wolves organize their chatter
But, you can rest now in the body
Its been summoned
************
Your long limbs speak
You say nothing
Scrapping a frozen bed of water
The fish are they moving?
Or are they frozen?
Your long limbs
Scrapping a frozen street
The cars are they moving?
You say nothing
Your long limbs
Scrapping a parking lot
The shoppers are they frozen?
You take time
To carve the mark
You clap your hands and smile
The camera pays witness
A computer warm inside
Is moving the season forward
© Tommy Becker 2000-2008. all rights reserved.